Jill Lepore

Few, if any, historians have brought such insight, wisdom, and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore, with her panoptical range and razor-sharp style, brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in The Deadline...

"In the most ambitious one-volume American history in decades, award-winning historian ... Jill Lepore offers a magisterial account of the origins and rise of a divided nation, an urgently needed reckoning with the beauty and tragedy of American history. Written in elegiac prose, Lepore's groundbreaking investigation places truth itself--a devotion to facts, proof, and evidence--at the center of the nation's history. The American experiment rests...

Publisher description: King Philip's War, the excruciating racial war--colonists against Indians--that erupted in New England in 1675, was, in proportion to population, the bloodiest in American history. Some even argued that the massacres and outrages on both sides were too horrific to "deserve the name of a war." It all began when Philip (called Metacom by his own people), the leader of the Wampanoag Indians, led attacks against English towns in...

Harvard historian and New Yorker staff writer Jill Lepore investigates American origin stories -- from John Smith's account of the founding of Jamestown in 1607 to Barack Obama's 2009 inaugural address -- to show how American democracy is bound up with the history of print.

A chronicle of an alleged eighteenth-century slave conspiracy to destroy New York City explores the social and political climate of the 1730s and 1740s and the implications of the conspiracy in terms of American politics and history

"From the best-selling author of These Truths, a work that examines the dilemma of nationalism and the erosion of liberalism in the twenty-first century. At a time of much despair over the future of liberal democracy, Harvard historian Jill Lepore makes a stirring case for the nation in This America. Since the end of the Cold War, Lepore writes, American historians have largely retreated from the idea of 'the nation,' in part because postmodernism...

"Women, whether subtly or vociferously, have always been a tremendous power in the destiny of the world," Eleanor Roosevelt wrote in It's Up to the Women, her book of advice to women of all ages on every aspect of life. Written at the height of the Great Depression, she called on women particularly to do their part--cutting costs where needed, spending reasonably, and taking personal responsibility for keeping the economy going. Whether it's the recommendation...

Set in boisterous Boston on the eve of the American Revolution, Blindspot is at once fiction and history, mystery and love story, tragedy and farce. Peopled not only with the celebrated Sons of Liberty but also with revolutionary Boston's unsung inhabitants, it tells the story of Scottish painter Stewart Jameson and his spirited apprentice, Fanny Easton, a fallen woman who has disguised herself as a boy, Francis Weston.

When Boston's revolutionary

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"A unique, panoramic look at women's history in the United States through the lens of ordinary objects from, by, and for extraordinary women. Featuring more than 280 artifacts from 16 Smithsonian museums and archives, and more than 135 essays from 95 Smithsonian authors, this book tells women's history as only the Smithsonian can."--